The album that made Diamond a music gem, long play

Loyal creature fan Neil Diamond . Under attack, it will hold its lovingly worn copy of Hot August Night high, shielding itself from the stinging rain of musical snobbery.
For every critic who accuses Diamond of padding out his canon with pretentious, overblown fluff, there's a supporter who will point to the statistics that prove him to be one of soft rock's most successful acts, perhaps failing to realise that the evidence supports both positions.
YouTube subscriber shutterbugk8 states pithily: Neil Diamond, musical genius, the Mozart of our time.
Again, the comparison arguably swings two ways.
Live double album Hot August Night (1972) marked Diamond's coming of age as a performer. Recorded during a 10 date stint at the Greek Theatre in Los Angeles, it captured the moment the one-time-anonymous Brill Building songwriter became big arena showman, confidently counting off his back catalogue of hits while toying with spontaneity.
Not for nothing was Diamond dubbed the Jewish Elvis. The album's orchestral prologue built glorious tension before the core instruments made their entry, Vegas-style, kicking off a rousing rendition of Crunchy Granola Suite, with Diamond punctuating his vocals with a "Good Lord!" here and a "Dig!" there. It was spine tingling stuff, this homage to a breakfast cereal.
Diamond flicked effortlessly between growling rocker and crooning balladeer, delivering astutely arranged readings of his quirky repertoire. The odd vocal glitch only added to the immediacy and trueness of the recording, which held the listener in thrall in the same way it did the audience in the arena and the tree people on the hill.
The top drawer numbers were all there Solitary Man; Cherry Cherry; Sweet Caroline; Red, Red Wine; Girl, You'll Be A Woman Soon; and Cracklin Rosie among them. So were the clangers. Porcupine Pie, anyone?
But by the time Brother Love's Traveling Salvation Show wound to its feverish climax, more than a few unbelievers had been converted.

Effect Neil Diamond

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Rough in the Diamond

Neil Diamond Tribute showJoey Purpura his brings, Diamond In The Rough, Friday, October 16 at 8 p.m. at the Royal Canadian Legion hall on Nelson Street, Hawkesbury.Call 613) 632-5136 for tickets. Purpure for more information.“Not only does Joey master the nuances of Diamond’s vocal tones and phrasing (so completely that some conference members have mistakenly believed him to be lip synching), but his occasional anecdotes describing the background behind Neil’s compositions add to the impact of the performance and his show impresses even the most devoted Neil Diamond fans,” according to a press release. “Joey’s Neil Diamond Tribute Rough in the Diamond, serves up a feel good tonic of dance’ n’ cheer, celebrating the power, energy and emotion of Diamond’s music to joyous and heartfelt perfection.”

Neil Diamond Christmas CD To Feature Guns N' Roses Produced Song

Neil Diamond Christmas CD To Feature Guns N' Roses Produced Song was a top story for this week. Here it is again: (Columbia Records) Columbia Records announces the release of A Cherry Cherry Christmas, the new Neil Diamond holiday collection, available in stores and online Tuesday, October 13.The title song, "Cherry Cherry Christmas," is filled with references to many of Diamond's greatest hits. Newly written and recorded by Neil Diamond for Christmas 2009, it is destined to become a new Christmas standard. Newly included with the re-mastered classics are a transcendent "Amazing Grace"; another new Neil Diamond original, "Christmas Dream"; and a time of party version of Adam Sandler's comedic "The Chanukah Song," produced by DJ Ashba (Guns N' Roses).

Neil Diamond still a Brooklyn cowboy

For all his fame and fortune, at heart, Neil Diamond is still a Brooklyn cowboy.
In “Neil Diamond is Forever,” an illustrated history of the musician, with exclusive photos and interviews, including coverage of his 2008 tour and this year’s Grammy gala salute, Jon Bream chronicles the pop icon’s rise to fame, starting with his Coney Island roots.
“There’s a lot of stuff about Brooklyn in there,” says Bream. “I think one of the things I didn’t know was that he was born and Brooklyn and grew up there, but lived for four years in Cheyenne (Wyoming). That had a big impact on him. He fell in love with cowboys and riding horses. He thought of himself as a Brooklyn cowboy.”

As much himself Diamond says, telling Rolling Stone in 1988, “I think Cheyenne had a big influence on me. That’s where I got my love of cowboys. Because I always thought I was one after I came back from Cheyenne.”
Back in Brooklyn, the book details, Diamond attended Erasmus High School, where he sang in the same choir as Barbra Streisand, though the two didn’t know each other at the time, and then for his senior year went to Abraham Lincoln High School, which Diamond has described, says Bream, as “moving from the inner city to a school that was more like Greece,” with the school more arts oriented.”
In addition to singing in the choir there, he also took up fencing, a skill you can still look to this day, believe it or not, in Diamond’s stage swagger, which he says is inspired by fencing moves.
It was also at Lincoln that he saw current graduate Neil Sedaka perform. After seeing that, his own performance roots became to take shape, as he started to perform as a duo with a friend.
Not much longer after that, Diamond became famous, writing hits for the Monkees and following with his own, including “Solitary Man,” “Girl, You’ll Be A Woman Soon,” “Cracklin’ Rosie,” “Song Sung Blue,” “Sweet Caroline,” “Love on the Rocks,” and “America,” with 115 million albums sold worldwide. (By now, Diamond has earned himself another nickname, this one from his fans: the “Jewish Elvis.”)
Bream, a music critic for the Minneapolis Star Tribune since 1974, has been covering Diamond’s career for nearly just as long, following every tour since 1976 and talking with the star seven times.
In his new book, he goes through these interviews, salvaged from old cassettes, collected fan memorabilia from all over the world, including rare posters, t-shirts, record sleeves, and tickets.
Bream is brimming with trivia about Diamond. Last year, he notes, the musician, at 68, was the oldest solo artist to headline a major arena tour. He was also the oldest person to get a number one record, with “Home Before Dark.”
The author has asked Diamond about this drive, as the star approaches his 70s, to keep performing, which he answered with a fencing analogy.
“In fencing they have a thing called blade hunger, that when you’re on the sidelines you want to get in and fence,” says Bream. “He feels the same way about performing. It’s just in him, something he’s got to do.”
And through it all, adds Bream, Diamond has remained consistent, always gracious, always striving to be better, whether he was a superstar performing before millions or a kid playing stickball on the streets of Coney Island.
“His love of Brooklyn,” says Bream, “clearly shines through.”

Fencing medal for luck to Neil Diamond!

Singer Neil Diamond has revealed that he turns to a fencing medal he won as a abolescent for luck.
The 68 year old star said the prize he won as a high school student works as his lucky charm. "This actually tiny fencing medal has been a nice omen for me,” the Daily Express quoted him as saying.
“I do believe in luck, and I some how think this medal brings me good fortune.
"(Winning it) was a defining moment for me. It actually did change me because it raised my self esteem," he added.

DIAMOND'S FENCING MEDAL IS LUCKY CHARM, NEIL DIAMOND

NEIL DIAMOND turns to a fencing medal he won as a teenager when he's feeling low because he thinks the prize is a good luck charm.The Sweet Caroline hitmaker admits the swordfighting honour he won as a high school student in New York gave him the boost he needed to follow his musical dreams. He says, "This actually tiny fencing medal has been a good omen for me. I do believe in luck, and I somehow think this medal brings me good fortune. "(Winning it) was a defining moment for me. It actually did change me because it raised my self-esteem."

Love Neil Diamond, By David Wild, How I Learned to Stop Worrying

David Wild is a "Diamondhead". It has been this way since childhood, when the music of Neil Diamond filtered through his family home: the Wilds worshipped the musician as a "Jewish Elvis". David Wild manages to turn his personal passion into a profession and becomes a Rolling Stone journalist charged with interviewing his hero several times. He wins Diamond over and the Wild family receives a personal invitation to gigs.
The book, then, is part Wild's memoir, part biography of Diamond, tracing the arc of his career and private life. It was at a progressive Jewish camp in 1956 that Diamond was inspired to take up guitar, going on to produce what Wild feels is the "almost existential quality of loneliness" at the heart of his best early work. He paints a portrait of a solitary, otherworldly, self deprecating musician with single minded vision, who made a decision to please the masses rather than the critics.
Wild is captivated by Diamond's "beautiful noise" and the "semireligious experience" of speaking with the man. While his enthusiasm is not always infectious, the book sheds insights into the fascinating psychology of fandom.

Neil Diamond is Forever

The man had stood before Jon Bream dozens of times over the course of four decades, as an interview subject and as a performer. But Bream's approach of Neil Diamond has abided the same throughout, even as other critics changed their minds, because after every conversation the two ever had, Diamond would tell Bream, "Stop by the show and say hi."
Through a collection of interviews, mementos and memorabilia, such candor becomes the main headquartes in Bream's Neil Diamond is Forever: The Man and His Music, out Oct. 15. A longtime music journalist for the Minneapolis Star Tribune, Bream had earlier investigated the life of Prince and graphiced the history of Led Zeppelin in past books. But for Diamond, Bream needed to further establish the legacy he had to fans. "These books are designed to be the eventual fan books, and Neil Diamond had incredibly devoted, fanatic fans," Bream tells Paste. "So we needed to put together a project that would give them the eventual fan book."As shown in the book, the conversations Bream had with Diamond have been characteristically consistent. All had been over the phone, and all had brought up one subject in particular."The interesting thing is the one topic we have always covered over the years: the relationship he has with his conferences," Bream says. "It's interesting to see how he relates to them, how he treats them. It becomes interesting to see how those answers would evolve."Neil Diamond is Forever also contains photos of 45 singles, ticket bits and other merchandise Bream saved from Diamond's merchandise manager of the mid '70s to mid '90s. Much of what illustrates the 160-page book is a acting of his career, though mementos like a handwritten thank you note from Diamond evident the personality that very few saw on a regular basis.But while Bream's compensation spans Diamond's absolute career, the book fails to provide the answer to just one question: why he has never been inducted into the Rock and Roll Hall of Fame. "I dont' think the process has been fair. There are people with less impact and less success that are in the Hall of Fame. One hit wonders," Bream says. "But Neil exactly had a distinguished career, whether you like it or not."